Category Archives: features
When will I find my life: Paula Rae Gibson
Quietly seductive and loudly melancholic, when photographer Paula Rae Gibson’s work arrived in my inbox, I couldn’t help but be drawn inside her world. A world evasive of detail and shrouded in ambiguity, her frames evoke a subtle vulnerability so universal,
When will I find my life: Paula Rae Gibson
Quietly seductive and loudly melancholic, when photographer Paula Rae Gibson’s work arrived in my inbox, I couldn’t help but be drawn inside her world. A world evasive of detail and shrouded in ambiguity, her frames evoke a subtle vulnerability so universal,
Billy Monk by Billy Monk
Billy Monk by Billy Monk “These are photographs by an insider of insiders for insiders. If inhibitions were lowered by the seemingly vast quantities of brandy and Coke that were imbibed, trust, nevertheless, is powerfully evident. Not simply in
Billy Monk by Billy Monk
Billy Monk by Billy Monk “These are photographs by an insider of insiders for insiders. If inhibitions were lowered by the seemingly vast quantities of brandy and Coke that were imbibed, trust, nevertheless, is powerfully evident. Not simply in
The Good Old Days: Jason Landis
Photographs can be poignant, evasive, evocative, significant – indeed, the meaning of photography stretches as far as our minds can see. Photography can also be used not just to illustrate ideas but to document our lives, immortalising moments we deem
The Good Old Days: Jason Landis
Photographs can be poignant, evasive, evocative, significant – indeed, the meaning of photography stretches as far as our minds can see. Photography can also be used not just to illustrate ideas but to document our lives, immortalising moments we deem
After the New Man: Dana Popa
In After the New Man, Dana Popa revisits her homeland, Romania, and the generation who were born just before or after the fall of the communist regime. This body of work is an intimate portrayal of youth and the fleeting
After the New Man: Dana Popa
In After the New Man, Dana Popa revisits her homeland, Romania, and the generation who were born just before or after the fall of the communist regime. This body of work is an intimate portrayal of youth and the fleeting
“I put the camera right into the picture.” Mark Cohen
Featuring photographer Mark Cohen, American street photographer:
“I put the camera right into the picture.” Mark Cohen
Featuring photographer Mark Cohen, American street photographer:
Life is Life, Hakuna Matata: Chris Mear
I was delighted to hear from previously featured photographer Chris Mear, and hear about his new publication ‘Life is Life, Hakuna Matata’: ‘Life is Life, Hakuna Matata’ is a limited edition book of photographs dedicated to the people of Sekei,
Life is Life, Hakuna Matata: Chris Mear
I was delighted to hear from previously featured photographer Chris Mear, and hear about his new publication ‘Life is Life, Hakuna Matata’: ‘Life is Life, Hakuna Matata’ is a limited edition book of photographs dedicated to the people of Sekei,
Who won the Hasselblad Award 2013?
Announced today, the winner of the Hasselblad Award 2013 is Joan Fontcuberta. Awarded to a photographer ‘recognised for major achievements’, Joan Fontcuberta joins a host of renowned names and is now part of an elite family of Hasselblad award winners, such
Who won the Hasselblad Award 2013?
Announced today, the winner of the Hasselblad Award 2013 is Joan Fontcuberta. Awarded to a photographer ‘recognised for major achievements’, Joan Fontcuberta joins a host of renowned names and is now part of an elite family of Hasselblad award winners, such
It’s A Small World But Not If You Have To Clean It: Barbara Kruger
Barbara Kruger’s works feature juxtapositions of images and texts that address cultural constructions of power, identity, and sexuality. Since 1980, the artist’s work has developed a highly recognizable oeuvre of black, white, and red photo-text montages. Her large-scale photographic silkscreen
It’s A Small World But Not If You Have To Clean It: Barbara Kruger
Barbara Kruger’s works feature juxtapositions of images and texts that address cultural constructions of power, identity, and sexuality. Since 1980, the artist’s work has developed a highly recognizable oeuvre of black, white, and red photo-text montages. Her large-scale photographic silkscreen
Faith: Jackie Nickerson
From The Faith Cycle by Jackie Nickerson By Walter Guadagnini, FMR magazine, issue 28, 2008: ”The more complex and problematical the definition of individual and group identity becomes in contemporary society, the more closely photography seems to focus upon the
Faith: Jackie Nickerson
From The Faith Cycle by Jackie Nickerson By Walter Guadagnini, FMR magazine, issue 28, 2008: ”The more complex and problematical the definition of individual and group identity becomes in contemporary society, the more closely photography seems to focus upon the
